Re: virus: [Fwd: The Spell of the Sensuous]

sodom (Sodom@ma.ultranet.com)
Mon, 21 Sep 1998 10:53:00 -0400


Sounds an awfull lot like an LSD trip to me, or any other psychadelic for that matter.
Funny though, one mans bread is another mans flesh.

Sodom
Bill Roh

KMO wrote:

> Subject: The Spell of the Sensuous
> Date: Fri, 18 Sep 1998 15:11:36 -0700
> From: KMO <kmo@amazon.com>
> Organization: Amazon.com Books
> To: Virus <virus@maxwell.lucifer.com>
> CC: kmo <kmo@amazon.com>
>
> For reasons I can't disclose, I have nothing to do at work at this
> moment, so I thought I'd take the opportunity to share a paragraph from
> the book that I'm reading (and may, in the fulness of time, actually
> finish). It's "The Spell of the Sensuous" by David Abram.
>
> http://www.amazon.com/exec/obidos/ASIN/0679776397/qid%3D906155997/002-2582446-9909448
>
> --------------------------------------------------------
> The most sophisticated definition of "magic" that now circulates
> through the American counterculture is "the ability or power to alter
> one's consciousness at will." No mention is made of any _reason_ for
> altering one's consciousness. Yet in tribal cultures that which we call
> "magic" takes its meaning from the fact that humans, in an indigenous
> and oral context, experience their own consciousness as simply one form
> of awareness among many others. The traditional magicaian cultivates an
> ability to shift out of his or her common state of consciousness
> precisely in order to make contact with the other organic forms of
> sensitivity and awareness with which human existence is entwined. Only
> by temporarily shedding the accepted perceptual logic of his culture can
> the sorcerer hope to enter into relation with other species on their own
> terms: only by altering the common organization of his senses will he be
> able to enter into a rapport with the multiple nonhuman sensibilities
> that animate the local landscape. It is this, we might say, that defines
> a shaman: the ability to readily slip out of the perceptual boundaries
> that demarcate his or her particular culture--boundaries reinforced by
> social customs, taboos, and most importantly, the common speech or
> language--in order to make contact with, and learn from, the other
> powers in the land. His magic is precisely this heightened receptivity
> to the meaningful solicitations--songs, cries, gestrues--of the larger,
> more-thatn-human field.
> --------------------------------------------------------
>
> Make of it what you will and enjoy.
>
> -KMO